Nonagenarian artist Kim Tschang-Yeul, one of the most recognized Korean artists of his generation, has built his singular body of work around the representation of a single, fascinating motif—the water drop. This collaboration between an inscrutable artist and his filmmaker son speaks volumes, despite documenting a man of very few words, whose practice embraces meditative silence. \"He who knows, does not speak; he who speaks, does not know.\" The Man Who Paints Water Drops discovers non-verbal ways of expressing and understanding Kim's obsession with painting water drops and its origin, rooted in Korea's history. This portrait of a career and also communication—between father and son, artist and audience, artist and self—is driven by intimate access and serene skill at reducing and expanding moments and meaning. How well can we ever know the people closest to us, their dreams, ambitions and traumas, without ever voicing them, or sharing them in common? See: the water drop.

“杀光共产主义者！”“北进统一！”这是卞熙宰常喊的口号。直到有一天，被他称作亲北分子的姜义锡带着摄像机出现并与他搭话，两人由此开始结识。卞熙宰一直为国事忧心到夜不能寐，随后他决定参选国会补选。

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조선시대부터 ‘왕의 숲’이라 불리던 가리왕산. 단 3일을 위해 숲은 베어지고 산은 깎여버렸다. 오랫동안 멈춰 있던 복원은 이제야 첫걸음을 내디뎠지만, 숲은 더 이상 예전의 모습으로 돌아갈 수 없다. 전 세계가 열광한 평창 동계올림픽의 무대 뒤편, 자연이 홀로 감당해야 했던 대가는 무엇이었을까? 사라진 숲을 기억하려는 사람들과 함께 다시 울려 퍼질 희망의 종소리를 따라간다.

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讲述了她的初次体验……电影里床戏之后的后续故事……海边的真实事件……以及偷走色情演员보리的男人们的幕后故事。

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